My practice flows between curatorial projects, teaching and learning, installation and other forms of making.
Throughout my practice, I see the construction and regeneration of personal and cultural cosmologies and lore as an outcome of the intersections and overlaps between experience, memory, value, hearsay, place and object. Playful interventions and experiments stem from these ideas to tease the collective memory and question or confuse common associations and truths, encouraging new meaning to be created.